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Digital interactive art --- Art and technology. --- Computer art --- Philosophy.

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Aesthetics --- Literature --- Critique littéraire. --- Literatur. --- Literatuurtheorie. --- Littérature. --- Philosophie. --- Théorie littéraire. --- Littérature hispanophone --- Littérature --- Literature. --- Literaturtheorie. --- History and criticism. --- Philosophy. --- Histoire et critique. --- 82:1 --- Literatuur en filosofie --- 82:1 Literatuur en filosofie --- Literature and philosophy --- Philosophy and literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism --- Philosophy --- Theory --- Appraisal --- Evaluation

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'The Routledge Companion to Aesthetics' contains 54 chapters written by leading international scholars covering all aspects of aesthetics. The volume is structured in four parts: History, Aesthetic Theory, Issues and Challenges, and Individual Arts. It opens with an historical overview of aesthetics including entries on Plato, Aristotle, Kant, Nietzsche, Heidegger, Sibley and Derrida. The second part covers the central concepts and theories needed for a comprehensive understanding of aesthetics including the definitions of art, taste, value of art, beauty, imagination, fiction, narrative, metaphor and pictorial representation. Part three is devoted to the topics that have attracted much contemporary interest in aesthetics including art, ethics, environmental aesthetics and feminist aesthetics. The final part addresses the individual arts of music, photography, film, literature, theatre, dance, architecture and sculpture. The second edition includes eight new entries: Creativity; Schopenhauer, Schiller and Schelling; Nelson Goodman; Style; Feminism; Ontology; Heidegger; Sartre and Merleau-Ponty. Many other entries have been revised and further reading brought up to date. 'The Routledge Companion to Aesthetics' is essential reading for anyone interested in aesthetics, art, literature, and visual studies.

Aesthetics. --- kunst --- kunsttheorie --- naslagwerk --- kunstgeschiedenis --- kunstfilosofie --- esthetica --- 7.01 --- 111.85 --- Philosophy & psychology Aesthetics --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- aesthetics --- Radio broadcasting Aesthetics --- Esthétique --- Philosophie

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Philosophers say what art is and then scientists and then other scholars study how we are equipped, cognitively and socially, to make art and appreciate it. This time-honoured approach will not work. Recent science reveals that we have poor intuitive access to artistic and aesthetic phenomena. Dominic McIver Lopes argues for a new approach that mandates closer integration, from the start, between aesthetics and the human sciences. In these eleven essays he proposes a methodology especially suited to aesthetics, where problems in philosophy are addressed principally by examining how aesthetic phenomena are understood in the human sciences. Since the human sciences include much of the humanities as well as the social, behavioural, and brain sciences, the methodology promises to integrate arts research across the academy. Aesthetics on the Edge opens with a four essays outlining the methodology and its potential. The following essays put the methodology to work, shedding light on the perceptual and social-pragmatic capacities that are implicated in responding to works of art, especially images, but also music, literature, and conceptual art.

Philosophy and science

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Une analyse de la diversité des représentations iconiques à la lumière de la pluralité des modes de perception des images, où la mimesis visuelle devient la reconnaissance symbolique et instantanée d'objets et de concepts modifiés. ©Electre 2015

Représentation (esthétique) --- Image (Philosophy) --- Reality in art --- Aesthetics, Modern --- Image (Philosophie) --- Réalité dans l'art --- Esthétique moderne --- Illustrations, images, etc. --- Image (philosophie) --- Interprétation --- Mimesis in art --- Picture interpretation --- Pictures - Criticism and interpretation. --- Aesthetics